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Penelope’s tambour frame

Published entity metadata

Read-only identity and editorial metadata.

Canonical name
Penelope’s tambour frame
Disambiguator
None
Kind
Item
Scope
Individual
Editorial note
No editorial note published.

Aliases

1

great tambour frame

Descriptive reference · Remembered

Location presence

Phase 6 currently covers 24 processed books.

3
Penelope’s room3 observations
·Reported

Antinous reports that Penelope set up her tambour frame in her room.

See evidence text
She set up a great tambour frame in her room, and began to work on an enormous piece of fine needlework. ‘Sweet hearts,’ said she, ‘Ulysses is indeed dead, still do not press me to marry again immediately, wait—for I would not have skill in needlework perish unrecorded—till I have completed a pall for the hero Laertes
·Remembered

Penelope recalled setting up her great tambour-frame in her room.

See evidence text
Then Penelope answered, ‘Stranger, heaven robbed me of all beauty, whether of face or figure, when the Argives set sail for Troy and my dear husband with them. If he were to return and look after my affairs I should be both more respected and should show a better presence to the world. As it is, I am oppressed with care, and with the afflictions which heaven has seen fit to heap upon me. The chiefs from all our islands—Dulichium, Same, and Zacynthus, as also from Ithaca itself, are wooing me against my will and are wasting my estate. I can therefore show no attention to strangers, nor suppliants, nor to people who say that they are skilled artisans, but am all the time broken-hearted about Ulysses. They want me to marry again at once, and I have to invent stratagems in order to deceive them. In the first place heaven put it in my mind to set up a great tambour-frame in my room, and to begin working upon an enormous piece of fine needlework. Then I said to them, ‘Sweethearts, Ulysses is indeed dead, still, do not press me to marry again immediately; wait—for I would not have my skill in needlework perish unrecorded—till I have finished making a pall for the hero Laertes, to be ready against the time when death shall take him. He is very rich, and the women of the place will talk if he is laid out without a pall.’ This was what I said, and they assented; whereon I used to keep working at my great web all day long, but at night I would unpick the stitches again by torch light. I fooled them in this way for three years without their finding it out, but as time wore on and I was now in my fourth year, in the waning of moons, and many days had been accomplished, those good for nothing hussies my maids betrayed me to the suitors, who broke in upon me and caught me; they were very angry with me, so I was forced to finish my work whether I would or no. And now I do not see how I can find any further shift for getting out of this marriage. My parents are putting great pressure upon me, and my son chafes at the ravages the suitors are making upon his estate, for he is now old enough to understand all about it and is perfectly able to look after his own affairs, for heaven has blessed him with an excellent disposition. Still, notwithstanding all this, tell me who you are and where you come from—for you must have had father and mother of some sort; you cannot be the son of an oak or of a rock.’
·Remembered

Penelope’s tambour frame was physically present in Penelope’s room during her weaving stratagem.

See evidence text
And the ghost of Amphimedon answered, ‘Agamemnon, son of Atreus, king of men, I remember everything that you have said, and will tell you fully and accurately about the way in which our end was brought about. Ulysses had been long gone, and we were courting his wife, who did not say point blank that she would not marry, nor yet bring matters to an end, for she meant to compass our destruction: this, then, was the trick she played us. She set up a great tambour frame in her room and began to work on an enormous piece of fine needlework. ‘Sweethearts,’ said she, ‘Ulysses is indeed dead, still, do not press me to marry again immediately; wait—for I would not have my skill in needlework perish unrecorded—till I have completed a pall for the hero Laertes, against the time when death shall take him. He is very rich, and the women of the place will talk if he is laid out without a pall.’ This is what she said, and we assented; whereupon we could see her working upon her great web all day long, but at night she would unpick the stitches again by torchlight. She fooled us in this way for three years without our finding it out, but as time wore on and she was now in her fourth year, in the waning of moons and many days had been accomplished, one of her maids who knew what she was doing told us, and we caught her in the act of undoing her work, so she had to finish it whether she would or no; and when she showed us the robe she had made, after she had had it washed, {186} its splendour was as that of the sun or moon.

Claims

3
·Reported

Penelope sets up her great tambour frame in her room to work an enormous piece of fine needlework.

See evidence text
She set up a great tambour frame in her room, and began to work on an enormous piece of fine needlework.
·Remembered

Penelope recalls setting up her great tambour-frame in her room to begin an enormous needlework stratagem.

See evidence text
set up a great tambour-frame in my room, and to begin working upon an enormous piece of fine needlework.
·Remembered

Penelope sets up her great tambour frame in her room to begin an enormous piece of fine needlework.

See evidence text
She set up a great tambour frame in her room and began to work on an enormous piece of fine needlework

Additional evidence

Evidence records not already represented by a claim.

3
·Remembered
She set up a great tambour frame in her room
·Remembered
a great tambour-frame in my room
·Remembered
She set up a great tambour frame in her room

Passage preview

Book 2 · Passage 6

‘Telemachus, insolent braggart that you are, how dare you try to throw the blame upon us suitors? It is your mother’s fault not ours, for she is a very artful woman. This three years past, and close on four, she had been driving us out of our minds, by encouraging each one of us, and sending him messages without meaning one word of what she says. And then there was that other trick she played us. She set up a great tambour frame in her room, and began to work on an enormous piece of fine needlework. ‘Sweet hearts,’ said she, ‘Ulysses is indeed dead, still do not press me to marry again immediately, wait—for I would not have skill in needlework perish unrecorded—till I have completed a pall for the hero Laertes, to be in readiness against the time when death shall take him. He is very rich, and the women of the place will talk if he is laid out without a pall.’