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Location · Individual

Penelope’s room

Published entity metadata

Read-only identity and editorial metadata.

Canonical name
Penelope’s room
Disambiguator
None
Kind
Location
Scope
Individual
Parent location
Ulysses’ house
Editorial note
No editorial note published.

Aliases

2

upper chamber

Descriptive reference · Reported

room upstairs

Descriptive reference · Direct

Present entities

Phase 6 currently covers 24 processed books.

36
PenelopeCharacter16 observations
·Direct

Penelope heard Phemius’s song from her upstairs room.

See evidence text
Penelope, daughter of Icarius, heard his song from her room upstairs
·Direct

Penelope went upstairs into her room.

See evidence text
She went wondering back into the house, and laid her son’s saying in her heart. Then, going upstairs with her handmaids into her room, she mourned her dear husband
·Reported

Antinous reports that Penelope worked in her room.

See evidence text
She set up a great tambour frame in her room, and began to work on an enormous piece of fine needlework. ‘Sweet hearts,’ said she, ‘Ulysses is indeed dead, still do not press me to marry again immediately, wait—for I would not have skill in needlework perish unrecorded—till I have completed a pall for the hero Laertes
·Direct

Penelope received Medon in her room.

See evidence text
It was not long ere Penelope came to know what the suitors were plotting; for a man servant, Medon, overheard them from outside the outer court as they were laying their schemes within, and went to tell his mistress. As he crossed the threshold of her room Penelope said: ‘Medon, what have the suitors sent you here for? Is it to tell the maids to leave their master’s business and cook dinner for them? I wish they may neither woo nor dine henceforward, neither here nor anywhere else, but let this be the very last time, for the waste you all make of my son’s estate. Did not your fathers tell you when you were children, how good Ulysses had been to them—never doing anything high-handed, nor speaking harshly to anybody? Kings may say things sometimes, and they may take a fancy to one man and dislike another, but Ulysses never did an unjust thing by anybody—which shows what bad hearts you have, and that there is no such thing as gratitude left in this world.’
·Direct

Penelope lay crying on the floor of her room.

See evidence text
Then he went downstairs again, leaving Penelope in an agony of grief. There were plenty of seats in the house, but she had no heart for sitting on any one of them; she could only fling herself on the floor of her own room and cry; whereon all the maids in the house, both old and young, gathered round her and began to cry too, till at last in a transport of sorrow she exclaimed,
·Direct

Penelope lay on her bed in her upstairs room.

See evidence text
But Penelope lay in her own room upstairs unable to eat or drink, and wondering whether her brave son would escape, or be overpowered by the wicked suitors. Like a lioness caught in the toils with huntsmen hemming her in on every side she thought and thought till she sank into a slumber, and lay on her bed bereft of thought and motion.
·Direct

Penelope was asleep in her room when the vision arrived.

See evidence text
Then Minerva bethought her of another matter, and made a vision in the likeness of Penelope’s sister Iphthime daughter of Icarius who had married Eumelus and lived in Pherae. She told the vision to go to the house of Ulysses, and to make Penelope leave off crying, so it came into her room by the hole through which the thong went for pulling the door to, and hovered over her head saying,
·Reported

Telemachus reported that Penelope sat weaving in her upper chamber.

See evidence text
‘At any other time,’ replied Telemachus, ‘I should have bidden you go to my own house, for you would find no want of hospitality; at the present moment, however, you would not be comfortable there, for I shall be away, and my mother will not see you; she does not often show herself even to the suitors, but sits at her loom weaving in an upper chamber, out of their way; but I can tell you a man whose house you can go to—I mean Eurymachus the son of Polybus, who is held in the highest estimation by every one in Ithaca. He is much the best man and the most persistent wooer, of all those who are paying court to my mother and trying to take Ulysses’ place. Jove, however, in heaven alone knows whether or no they will come to a bad end before the marriage takes place.’
·Direct

Penelope went upstairs to her room, mourned there, and fell asleep.

See evidence text
Then Penelope went upstairs again and mourned her husband till Minerva shed sleep over her eyes. In the eve ning Eumaeus got back to Ulysses and his son, who had just sacrificed a young pig of a year old and were helping one another to get supper ready; Minerva therefore came up to Ulysses, turned him into an old man with a stroke of her wand, and clad him in his old clothes again, for fear that the swineherd might recognise him and not keep the secret, but go and tell Penelope.
·Direct

Penelope sat and spoke in her own room.

See evidence text
Thus did she talk with her maids as she sat in her own room, and in the meantime Ulysses was getting his dinner. Then she called for the swineherd and said, ‘Eumaeus, go and tell the stranger to come here, I want to see him and ask him some questions. He seems to have travelled much, and he may have seen or heard something of my unhappy husband.’
·Direct

Penelope lay asleep on her couch in her room.

See evidence text
On this the old woman {150} went out of the room to bid the maids go to their mistress. In the meantime Minerva bethought her of another matter, and sent Penelope off into a sweet slumber; so she lay down on her couch and her limbs became heavy with sleep. Then the goddess shed grace and beauty over her that all the Achaeans might admire her. She washed her face with the ambrosial loveliness that Venus wears when she goes dancing with the Graces; she made her taller and of a more commanding figure, while as for her complexion it was whiter than sawn ivory. When Minerva had done all this she went away, whereon the maids came in from the women’s room and woke Penelope with the sound of their talking.
·Direct

Penelope went back to her room upstairs.

See evidence text
Then the queen went back to her room upstairs, and her maids brought the presents after her. Meanwhile the suitors took to singing and dancing, and stayed till evening came. They danced and sang till it grew dark; they then brought in three braziers {151} to give light, and piled them up with chopped firewood very old and dry, and they lit torches from them, which the maids held up turn and turn about. Then Ulysses said:
·Remembered

Penelope recalled setting up her tambour-frame and working on the pall in her room.

See evidence text
Then Penelope answered, ‘Stranger, heaven robbed me of all beauty, whether of face or figure, when the Argives set sail for Troy and my dear husband with them. If he were to return and look after my affairs I should be both more respected and should show a better presence to the world. As it is, I am oppressed with care, and with the afflictions which heaven has seen fit to heap upon me. The chiefs from all our islands—Dulichium, Same, and Zacynthus, as also from Ithaca itself, are wooing me against my will and are wasting my estate. I can therefore show no attention to strangers, nor suppliants, nor to people who say that they are skilled artisans, but am all the time broken-hearted about Ulysses. They want me to marry again at once, and I have to invent stratagems in order to deceive them. In the first place heaven put it in my mind to set up a great tambour-frame in my room, and to begin working upon an enormous piece of fine needlework. Then I said to them, ‘Sweethearts, Ulysses is indeed dead, still, do not press me to marry again immediately; wait—for I would not have my skill in needlework perish unrecorded—till I have finished making a pall for the hero Laertes, to be ready against the time when death shall take him. He is very rich, and the women of the place will talk if he is laid out without a pall.’ This was what I said, and they assented; whereon I used to keep working at my great web all day long, but at night I would unpick the stitches again by torch light. I fooled them in this way for three years without their finding it out, but as time wore on and I was now in my fourth year, in the waning of moons, and many days had been accomplished, those good for nothing hussies my maids betrayed me to the suitors, who broke in upon me and caught me; they were very angry with me, so I was forced to finish my work whether I would or no. And now I do not see how I can find any further shift for getting out of this marriage. My parents are putting great pressure upon me, and my son chafes at the ravages the suitors are making upon his estate, for he is now old enough to understand all about it and is perfectly able to look after his own affairs, for heaven has blessed him with an excellent disposition. Still, notwithstanding all this, tell me who you are and where you come from—for you must have had father and mother of some sort; you cannot be the son of an oak or of a rock.’
·Direct

Penelope went upstairs to her own room and slept there.

See evidence text
She then went upstairs to her own room, not alone, but attended by her maidens, and when there, she lamented her dear husband till Minerva shed sweet sleep over her eyelids.
·Direct

Penelope went upstairs into her room.

See evidence text
She went wondering back into the house, and laid her son’s saying in her heart. Then going upstairs with her handmaids into her room, she mourned her dear husband till Minerva sent sweet sleep over her eyelids.
·Remembered

Penelope was physically present in Penelope’s room during her weaving stratagem.

See evidence text
And the ghost of Amphimedon answered, ‘Agamemnon, son of Atreus, king of men, I remember everything that you have said, and will tell you fully and accurately about the way in which our end was brought about. Ulysses had been long gone, and we were courting his wife, who did not say point blank that she would not marry, nor yet bring matters to an end, for she meant to compass our destruction: this, then, was the trick she played us. She set up a great tambour frame in her room and began to work on an enormous piece of fine needlework. ‘Sweethearts,’ said she, ‘Ulysses is indeed dead, still, do not press me to marry again immediately; wait—for I would not have my skill in needlework perish unrecorded—till I have completed a pall for the hero Laertes, against the time when death shall take him. He is very rich, and the women of the place will talk if he is laid out without a pall.’ This is what she said, and we assented; whereupon we could see her working upon her great web all day long, but at night she would unpick the stitches again by torchlight. She fooled us in this way for three years without our finding it out, but as time wore on and she was now in her fourth year, in the waning of moons and many days had been accomplished, one of her maids who knew what she was doing told us, and we caught her in the act of undoing her work, so she had to finish it whether she would or no; and when she showed us the robe she had made, after she had had it washed, {186} its splendour was as that of the sun or moon.
Penelope’s handmaidsCharacter5 observations
·Direct

Penelope’s handmaids accompanied her into her room.

See evidence text
She went wondering back into the house, and laid her son’s saying in her heart. Then, going upstairs with her handmaids into her room, she mourned her dear husband
·Direct

Penelope’s maids were with her in her own room.

See evidence text
Thus did she talk with her maids as she sat in her own room, and in the meantime Ulysses was getting his dinner. Then she called for the swineherd and said, ‘Eumaeus, go and tell the stranger to come here, I want to see him and ask him some questions. He seems to have travelled much, and he may have seen or heard something of my unhappy husband.’
·Direct

Penelope’s handmaids followed her into her upstairs room while carrying the presents.

See evidence text
Then the queen went back to her room upstairs, and her maids brought the presents after her. Meanwhile the suitors took to singing and dancing, and stayed till evening came. They danced and sang till it grew dark; they then brought in three braziers {151} to give light, and piled them up with chopped firewood very old and dry, and they lit torches from them, which the maids held up turn and turn about. Then Ulysses said:
·Direct

Penelope’s maidens attended her into her own room.

See evidence text
She then went upstairs to her own room, not alone, but attended by her maidens, and when there, she lamented her dear husband till Minerva shed sweet sleep over her eyelids.
·Direct

Penelope’s handmaids accompanied her into her room.

See evidence text
She went wondering back into the house, and laid her son’s saying in her heart. Then going upstairs with her handmaids into her room, she mourned her dear husband till Minerva sent sweet sleep over her eyelids.
Laertes’ pallItem3 observations
·Reported

Antinous reports that Penelope worked on Laertes’ pall in her room.

See evidence text
She set up a great tambour frame in her room, and began to work on an enormous piece of fine needlework. ‘Sweet hearts,’ said she, ‘Ulysses is indeed dead, still do not press me to marry again immediately, wait—for I would not have skill in needlework perish unrecorded—till I have completed a pall for the hero Laertes
·Remembered

Penelope recalled working on Laertes’ pall in her room.

See evidence text
Then Penelope answered, ‘Stranger, heaven robbed me of all beauty, whether of face or figure, when the Argives set sail for Troy and my dear husband with them. If he were to return and look after my affairs I should be both more respected and should show a better presence to the world. As it is, I am oppressed with care, and with the afflictions which heaven has seen fit to heap upon me. The chiefs from all our islands—Dulichium, Same, and Zacynthus, as also from Ithaca itself, are wooing me against my will and are wasting my estate. I can therefore show no attention to strangers, nor suppliants, nor to people who say that they are skilled artisans, but am all the time broken-hearted about Ulysses. They want me to marry again at once, and I have to invent stratagems in order to deceive them. In the first place heaven put it in my mind to set up a great tambour-frame in my room, and to begin working upon an enormous piece of fine needlework. Then I said to them, ‘Sweethearts, Ulysses is indeed dead, still, do not press me to marry again immediately; wait—for I would not have my skill in needlework perish unrecorded—till I have finished making a pall for the hero Laertes, to be ready against the time when death shall take him. He is very rich, and the women of the place will talk if he is laid out without a pall.’ This was what I said, and they assented; whereon I used to keep working at my great web all day long, but at night I would unpick the stitches again by torch light. I fooled them in this way for three years without their finding it out, but as time wore on and I was now in my fourth year, in the waning of moons, and many days had been accomplished, those good for nothing hussies my maids betrayed me to the suitors, who broke in upon me and caught me; they were very angry with me, so I was forced to finish my work whether I would or no. And now I do not see how I can find any further shift for getting out of this marriage. My parents are putting great pressure upon me, and my son chafes at the ravages the suitors are making upon his estate, for he is now old enough to understand all about it and is perfectly able to look after his own affairs, for heaven has blessed him with an excellent disposition. Still, notwithstanding all this, tell me who you are and where you come from—for you must have had father and mother of some sort; you cannot be the son of an oak or of a rock.’
·Remembered

Laertes’ pall was physically present in Penelope’s room during her weaving stratagem.

See evidence text
And the ghost of Amphimedon answered, ‘Agamemnon, son of Atreus, king of men, I remember everything that you have said, and will tell you fully and accurately about the way in which our end was brought about. Ulysses had been long gone, and we were courting his wife, who did not say point blank that she would not marry, nor yet bring matters to an end, for she meant to compass our destruction: this, then, was the trick she played us. She set up a great tambour frame in her room and began to work on an enormous piece of fine needlework. ‘Sweethearts,’ said she, ‘Ulysses is indeed dead, still, do not press me to marry again immediately; wait—for I would not have my skill in needlework perish unrecorded—till I have completed a pall for the hero Laertes, against the time when death shall take him. He is very rich, and the women of the place will talk if he is laid out without a pall.’ This is what she said, and we assented; whereupon we could see her working upon her great web all day long, but at night she would unpick the stitches again by torchlight. She fooled us in this way for three years without our finding it out, but as time wore on and she was now in her fourth year, in the waning of moons and many days had been accomplished, one of her maids who knew what she was doing told us, and we caught her in the act of undoing her work, so she had to finish it whether she would or no; and when she showed us the robe she had made, after she had had it washed, {186} its splendour was as that of the sun or moon.
Penelope’s tambour frameItem3 observations
·Reported

Antinous reports that Penelope set up her tambour frame in her room.

See evidence text
She set up a great tambour frame in her room, and began to work on an enormous piece of fine needlework. ‘Sweet hearts,’ said she, ‘Ulysses is indeed dead, still do not press me to marry again immediately, wait—for I would not have skill in needlework perish unrecorded—till I have completed a pall for the hero Laertes
·Remembered

Penelope recalled setting up her great tambour-frame in her room.

See evidence text
Then Penelope answered, ‘Stranger, heaven robbed me of all beauty, whether of face or figure, when the Argives set sail for Troy and my dear husband with them. If he were to return and look after my affairs I should be both more respected and should show a better presence to the world. As it is, I am oppressed with care, and with the afflictions which heaven has seen fit to heap upon me. The chiefs from all our islands—Dulichium, Same, and Zacynthus, as also from Ithaca itself, are wooing me against my will and are wasting my estate. I can therefore show no attention to strangers, nor suppliants, nor to people who say that they are skilled artisans, but am all the time broken-hearted about Ulysses. They want me to marry again at once, and I have to invent stratagems in order to deceive them. In the first place heaven put it in my mind to set up a great tambour-frame in my room, and to begin working upon an enormous piece of fine needlework. Then I said to them, ‘Sweethearts, Ulysses is indeed dead, still, do not press me to marry again immediately; wait—for I would not have my skill in needlework perish unrecorded—till I have finished making a pall for the hero Laertes, to be ready against the time when death shall take him. He is very rich, and the women of the place will talk if he is laid out without a pall.’ This was what I said, and they assented; whereon I used to keep working at my great web all day long, but at night I would unpick the stitches again by torch light. I fooled them in this way for three years without their finding it out, but as time wore on and I was now in my fourth year, in the waning of moons, and many days had been accomplished, those good for nothing hussies my maids betrayed me to the suitors, who broke in upon me and caught me; they were very angry with me, so I was forced to finish my work whether I would or no. And now I do not see how I can find any further shift for getting out of this marriage. My parents are putting great pressure upon me, and my son chafes at the ravages the suitors are making upon his estate, for he is now old enough to understand all about it and is perfectly able to look after his own affairs, for heaven has blessed him with an excellent disposition. Still, notwithstanding all this, tell me who you are and where you come from—for you must have had father and mother of some sort; you cannot be the son of an oak or of a rock.’
·Remembered

Penelope’s tambour frame was physically present in Penelope’s room during her weaving stratagem.

See evidence text
And the ghost of Amphimedon answered, ‘Agamemnon, son of Atreus, king of men, I remember everything that you have said, and will tell you fully and accurately about the way in which our end was brought about. Ulysses had been long gone, and we were courting his wife, who did not say point blank that she would not marry, nor yet bring matters to an end, for she meant to compass our destruction: this, then, was the trick she played us. She set up a great tambour frame in her room and began to work on an enormous piece of fine needlework. ‘Sweethearts,’ said she, ‘Ulysses is indeed dead, still, do not press me to marry again immediately; wait—for I would not have my skill in needlework perish unrecorded—till I have completed a pall for the hero Laertes, against the time when death shall take him. He is very rich, and the women of the place will talk if he is laid out without a pall.’ This is what she said, and we assented; whereupon we could see her working upon her great web all day long, but at night she would unpick the stitches again by torchlight. She fooled us in this way for three years without our finding it out, but as time wore on and she was now in her fourth year, in the waning of moons and many days had been accomplished, one of her maids who knew what she was doing told us, and we caught her in the act of undoing her work, so she had to finish it whether she would or no; and when she showed us the robe she had made, after she had had it washed, {186} its splendour was as that of the sun or moon.
MedonCharacter1 observation
·Direct

Medon crossed the threshold into Penelope’s room.

See evidence text
It was not long ere Penelope came to know what the suitors were plotting; for a man servant, Medon, overheard them from outside the outer court as they were laying their schemes within, and went to tell his mistress. As he crossed the threshold of her room Penelope said: ‘Medon, what have the suitors sent you here for? Is it to tell the maids to leave their master’s business and cook dinner for them? I wish they may neither woo nor dine henceforward, neither here nor anywhere else, but let this be the very last time, for the waste you all make of my son’s estate. Did not your fathers tell you when you were children, how good Ulysses had been to them—never doing anything high-handed, nor speaking harshly to anybody? Kings may say things sometimes, and they may take a fancy to one man and dislike another, but Ulysses never did an unjust thing by anybody—which shows what bad hearts you have, and that there is no such thing as gratitude left in this world.’
maid servants of Ulysses’ houseCharacter2 observations
·Direct

The maids of Ulysses’ house gathered around Penelope in her room.

See evidence text
Then he went downstairs again, leaving Penelope in an agony of grief. There were plenty of seats in the house, but she had no heart for sitting on any one of them; she could only fling herself on the floor of her own room and cry; whereon all the maids in the house, both old and young, gathered round her and began to cry too, till at last in a transport of sorrow she exclaimed,
·Direct

The maids came into Penelope’s room and woke her.

See evidence text
On this the old woman {150} went out of the room to bid the maids go to their mistress. In the meantime Minerva bethought her of another matter, and sent Penelope off into a sweet slumber; so she lay down on her couch and her limbs became heavy with sleep. Then the goddess shed grace and beauty over her that all the Achaeans might admire her. She washed her face with the ambrosial loveliness that Venus wears when she goes dancing with the Graces; she made her taller and of a more commanding figure, while as for her complexion it was whiter than sawn ivory. When Minerva had done all this she went away, whereon the maids came in from the women’s room and woke Penelope with the sound of their talking.
·Direct

Minerva’s vision entered Penelope’s room and hovered over her.

See evidence text
Then Minerva bethought her of another matter, and made a vision in the likeness of Penelope’s sister Iphthime daughter of Icarius who had married Eumelus and lived in Pherae. She told the vision to go to the house of Ulysses, and to make Penelope leave off crying, so it came into her room by the hole through which the thong went for pulling the door to, and hovered over her head saying,
Penelope’s loomItem1 observation
·Reported

Telemachus reported Penelope’s loom in her upper chamber.

See evidence text
‘At any other time,’ replied Telemachus, ‘I should have bidden you go to my own house, for you would find no want of hospitality; at the present moment, however, you would not be comfortable there, for I shall be away, and my mother will not see you; she does not often show herself even to the suitors, but sits at her loom weaving in an upper chamber, out of their way; but I can tell you a man whose house you can go to—I mean Eurymachus the son of Polybus, who is held in the highest estimation by every one in Ithaca. He is much the best man and the most persistent wooer, of all those who are paying court to my mother and trying to take Ulysses’ place. Jove, however, in heaven alone knows whether or no they will come to a bad end before the marriage takes place.’
MinervaDeity1 observation
·Direct

Minerva acted upon Penelope in her room and then went away.

See evidence text
On this the old woman {150} went out of the room to bid the maids go to their mistress. In the meantime Minerva bethought her of another matter, and sent Penelope off into a sweet slumber; so she lay down on her couch and her limbs became heavy with sleep. Then the goddess shed grace and beauty over her that all the Achaeans might admire her. She washed her face with the ambrosial loveliness that Venus wears when she goes dancing with the Graces; she made her taller and of a more commanding figure, while as for her complexion it was whiter than sawn ivory. When Minerva had done all this she went away, whereon the maids came in from the women’s room and woke Penelope with the sound of their talking.
·Direct

Penelope’s couch was in her room while she slept upon it.

See evidence text
On this the old woman {150} went out of the room to bid the maids go to their mistress. In the meantime Minerva bethought her of another matter, and sent Penelope off into a sweet slumber; so she lay down on her couch and her limbs became heavy with sleep. Then the goddess shed grace and beauty over her that all the Achaeans might admire her. She washed her face with the ambrosial loveliness that Venus wears when she goes dancing with the Graces; she made her taller and of a more commanding figure, while as for her complexion it was whiter than sawn ivory. When Minerva had done all this she went away, whereon the maids came in from the women’s room and woke Penelope with the sound of their talking.
·Direct

The suitors’ presents were brought after Penelope into her upstairs room.

See evidence text
Then the queen went back to her room upstairs, and her maids brought the presents after her. Meanwhile the suitors took to singing and dancing, and stayed till evening came. They danced and sang till it grew dark; they then brought in three braziers {151} to give light, and piled them up with chopped firewood very old and dry, and they lit torches from them, which the maids held up turn and turn about. Then Ulysses said:
the suitorsCharacter1 observation
·Remembered

Penelope recalled the suitors breaking in upon her and catching her at the room-bound weaving stratagem.

See evidence text
Then Penelope answered, ‘Stranger, heaven robbed me of all beauty, whether of face or figure, when the Argives set sail for Troy and my dear husband with them. If he were to return and look after my affairs I should be both more respected and should show a better presence to the world. As it is, I am oppressed with care, and with the afflictions which heaven has seen fit to heap upon me. The chiefs from all our islands—Dulichium, Same, and Zacynthus, as also from Ithaca itself, are wooing me against my will and are wasting my estate. I can therefore show no attention to strangers, nor suppliants, nor to people who say that they are skilled artisans, but am all the time broken-hearted about Ulysses. They want me to marry again at once, and I have to invent stratagems in order to deceive them. In the first place heaven put it in my mind to set up a great tambour-frame in my room, and to begin working upon an enormous piece of fine needlework. Then I said to them, ‘Sweethearts, Ulysses is indeed dead, still, do not press me to marry again immediately; wait—for I would not have my skill in needlework perish unrecorded—till I have finished making a pall for the hero Laertes, to be ready against the time when death shall take him. He is very rich, and the women of the place will talk if he is laid out without a pall.’ This was what I said, and they assented; whereon I used to keep working at my great web all day long, but at night I would unpick the stitches again by torch light. I fooled them in this way for three years without their finding it out, but as time wore on and I was now in my fourth year, in the waning of moons, and many days had been accomplished, those good for nothing hussies my maids betrayed me to the suitors, who broke in upon me and caught me; they were very angry with me, so I was forced to finish my work whether I would or no. And now I do not see how I can find any further shift for getting out of this marriage. My parents are putting great pressure upon me, and my son chafes at the ravages the suitors are making upon his estate, for he is now old enough to understand all about it and is perfectly able to look after his own affairs, for heaven has blessed him with an excellent disposition. Still, notwithstanding all this, tell me who you are and where you come from—for you must have had father and mother of some sort; you cannot be the son of an oak or of a rock.’

Claims

2
·Direct

Penelope’s room is upstairs, from where she hears Phemius before descending.

See evidence text
Penelope, daughter of Icarius, heard his song from her room upstairs, and came down by the great staircase
·Direct

Penelope returns to her upstairs room while her maids carry the presents after her.

See evidence text
the queen went back to her room upstairs, and her maids brought the presents after her

Additional evidence

Evidence records not already represented by a claim.

9
·Direct
going upstairs with her handmaids into her room
·Remembered
She set up a great tambour frame in her room
·Direct
the floor of her own room
·Reported
sits at her loom weaving in an upper chamber
·Direct
Penelope came out of her room
·Direct
the queen went back to her room upstairs
·Direct
Penelope came down from her room
·Direct
she came down from her upper room
·Remembered
She set up a great tambour frame in her room

Passage preview

Book 1 · Passage 23

Phemius was still singing, and his hearers sat rapt in silence as he told the sad tale of the return from Troy, and the ills Minerva had laid upon the Achaeans. Penelope, daughter of Icarius, heard his song from her room upstairs, and came down by the great staircase, not alone, but attended by two of her handmaids. When she reached the suitors she stood by one of the bearing posts that supported the roof of the cloisters {8} with a staid maiden on either side of her. She held a veil, moreover, before her face, and was weeping bitterly.