All entities

Character · Individual

Phemius

Published entity metadata

Read-only identity and editorial metadata.

Canonical name
Phemius
Disambiguator
None
Kind
Character
Scope
Individual
Editorial note
No editorial note published.

Aliases

1

son of Terpes

Descriptive reference · Direct

Location presence

Phase 6 currently covers 24 processed books.

6
Ulysses’ house2 observations
·Direct

Phemius was physically present inside Ulysses’ house.

See evidence text
With this he left them to come on at their leisure, while he went quickly forward and soon reached the house of his master. When he got there he went in and took his seat among the suitors opposite Eurymachus, who liked him better than any of the others. The servants brought him a portion of meat, and an upper woman servant set bread before him that he might eat. Presently Ulysses and the swineherd came up to the house and stood by it, amid a sound of music, for Phemius was just beginning to sing to the suitors. Then Ulysses took hold of the swineherd’s hand, and said:
·Direct

Phemius played for the wedding-feint dance in Ulysses’s house.

See evidence text
Thus did he speak, and they did even as he had said. First they washed and put their shirts on, while the women got ready. Then Phemius took his lyre and set them all longing for sweet song and stately dance. The house re-echoed with the sound of men and women dancing, and the people outside said, ‘I suppose the queen has been getting married at last. She ought to be ashamed of herself for not continuing to protect her husband’s property until he comes home.’ {182}
outer court3 observations
·Hypothetical

Phemius considered fleeing to and sitting by Jove’s altar in the outer court.

See evidence text
The minstrel Phemius son of Terpes—he who had been forced by the suitors to sing to them—now tried to save his life. He was standing near towards the trap door, {174} and held his lyre in his hand. He did not know whether to fly out of the cloister and sit down by the altar of Jove that was in the outer court, and on which both Laertes and Ulysses had offered up the thigh bones of many an ox, or whether to go straight up to Ulysses and embrace his knees, but in the end he deemed it best to embrace Ulysses’ knees. So he laid his lyre on the ground between the mixing bowl {175} and the silver-studded seat; then going up to Ulysses he caught hold of his knees and said, ‘Ulysses, I beseech you have mercy on me and spare me. You will be sorry for it afterwards if you kill a bard who can sing both for gods and men as I can. I make all my lays myself, and heaven visits me with every kind of inspiration. I would sing to you as though you were a god, do not therefore be in such a hurry to cut my head off. Your own son Telemachus will tell you that I did not want to frequent your house and sing to the suitors after their meals, but they were too many and too strong for me, so they made me.’
·Hypothetical

Ulysses ordered Phemius to go outside into the outer court.

See evidence text
Ulysses smiled at him and answered, ‘Fear not; Telemachus has saved your life, that you may know in future, and tell other people, how greatly better good deeds prosper than evil ones. Go, therefore, outside the cloisters into the outer court, and be out of the way of the slaughter—you and the bard—while I finish my work here inside.’
·Direct

Phemius went into the outer court and sat by Jove’s altar.

See evidence text
The pair went into the outer court as fast as they could, and sat down by Jove’s great altar, looking fearfully round, and still expecting that they would be killed. Then Ulysses searched the whole court carefully over, to see if anyone had managed to hide himself and was still living, but he found them all lying in the dust and weltering in their blood. They were like fishes which fishermen have netted out of the sea, and thrown upon the beach to lie gasping for water till the heat of the sun makes an end of them. Even so were the suitors lying all huddled up one against the other.
place of assembly1 observation
·Direct

Phemius stood with Medon in the middle of the assembly.

See evidence text
He wept as he spoke and every one pitied him. But Medon and the bard Phemius had now woke up, and came to them from the house of Ulysses. Every one was astonished at seeing them, but they stood in the middle of the assembly, and Medon said, ‘Hear me, men of Ithaca. Ulysses did not do these things against the will of heaven. I myself saw an immortal god take the form of Mentor and stand beside him. This god appeared, now in front of him encouraging him, and now going furiously about the court and attacking the suitors whereon they fell thick on one another.’

Claims

9
·Direct

Phemius is forced by the suitors to sing and begins by touching his lyre.

See evidence text
Phemius, whom they compelled perforce to sing to them. As soon as he touched his lyre and began to sing
·Direct

Phemius holds his hearers rapt and silent while singing the sad tale of the return from Troy.

See evidence text
his hearers sat rapt in silence as he told the sad tale of the return from Troy
·Reported

Phemius knows many feats of gods and heroes of the kind poets celebrate.

See evidence text
you know many another feat of gods and heroes, such as poets love to celebrate
·Reported

Telemachus describes Phemius as a rare singer with a divine voice.

See evidence text
a rare thing to hear a man with such a divine voice as Phemius has
·Direct

Phemius begins singing to the suitors.

See evidence text
d a sound of music, for Phemius was just beginning to sing to the suitors. Then Ulysses took hold
·Reported

Phemius pleads that he is a self-taught, heaven-inspired bard for gods and men and says the stronger suitors forced him to sing.

See evidence text
Ulysses, I beseech you have mercy on me and spare me. You will be sorry for it afterwards if you kill a bard who can sing both for gods and men as I can. I make all my lays myself, and heaven visits me with every kind of inspiration. I would sing to you as though you were a god, do not therefore be in such a hurry to cut my head off. Your own son Telemachus will tell you that I did not want to frequent your house and sing to the suitors after their meals, but they were too many and too strong for me, so they made me
·Direct

Phemius hurries to Jove’s altar with Medon, sits fearfully looking around, and still expects death.

See evidence text
The pair went into the outer court as fast as they could, and sat down by Jove’s great altar, looking fearfully round, and still expecting that they would be killed
·Hypothetical

Ulysses orders Phemius to play a dance tune so listeners will mistake the noise for a wedding.

See evidence text
Phemius shall then strike up a dance tune on his lyre, so that if people outside hear, or any of the neighbours, or some one going along the street happens to notice it, they may think there is a wedding in the house
·Direct

Phemius takes his lyre and inspires longing for sweet song and stately dance.

See evidence text
Then Phemius took his lyre and set them all longing for sweet song and stately dance

Additional evidence

Evidence records not already represented by a claim.

5
·Direct
a lyre to Phemius
·Direct
Phemius was just beginning to sing to the suitors
·Direct
The minstrel Phemius son of Terpes—he who had been forced by the suitors to sing to them
·Direct
Then Phemius took his lyre
·Direct
Medon and the bard Phemius had now woke up

Passage preview

Book 1 · Passage 12

Then the suitors came in and took their places on the benches and seats. {3} Forthwith men servants poured water over their hands, maids went round with the bread-baskets, pages filled the mixing-bowls with wine and water, and they laid their hands upon the good things that were before them. As soon as they had had enough to eat and drink they wanted music and dancing, which are the crowning embellishments of a banquet, so a servant brought a lyre to Phemius, whom they compelled perforce to sing to them. As soon as he touched his lyre and began to sing Telemachus spoke low to Minerva, with his head close to hers that no man might hear.